Friday, 12 October 2012

Kärnarvøn Kästle - August 1982

Kärnarvøn Kästle L to R: Phil Layton, Ann Matthews, Alan Holmes
The legendary Bangor music scene of the early 80s threw up many short-lived acts who would ignite in one fleeting burst of incandescence before dissolving into the shadows of myth. Names like The Axolotl, Gentle Reminders, One Hour Later Over Iran, The Baudelaires, Fugitive Binoculars, The Legendary Mountaineers, The Bellman, Sharon Angstrom, Armchair Theatre and The Dekorators all come to mind, yet none seemed quite as elusive as Kärnarvøn Kästle, who played live only once, at Bangor's famous Glanrafon Pub on the 13th of August 1982.

Kärnarvøn Kästle live at the Glanrafon, Bangor 13th August 1982 -  photo: Gary Cut

The group stood out from many of the other names of the period by their eccentric policy of only rehearsing at sunset in the deserted Iron-age village of Tre'r Ceiri, on the summit of a mountain some 25 miles from their home. After carrying out this strange ritual three times a week for the month leading up to their gig, the group then spent an hour jogging around the streets of Bangor that evening before running straight onto the stage to perform. To further complicate matters, their set was then performed largely on instruments they hadn't previously played the material on, due to the obvious logistical problems of carrying them up the mountain - only the saxophones and trumpet had featured in rehearsal. Despite this the spiritual unity, telepathic intuition and discipline instilled by their rigorous routine almost paid off, and their performance teetered at times on the edge of competence.

Kärnarvøn Kästle live at the Glanrafon, Bangor 13th August 1982 -  photo: Gary Cut

Sadly this brave start was also to be the end, and all three members were shortly absorbed into Gary Cut's nascent Cut Tunes...... but that's another story.


Kärnarvøn Kästle live at the Glanrafon, Bangor 13th August 1982

Ann Matthews - saxophone, bass, vocals
Phil Layton - guitar, bass, saxophone, vocals
Alan Holmes - drums, trumpet

1 Untitled 1
2 Untitled 2

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Sunday, 2 September 2012

Just When You Though We Were Dead


Between 1980 and 1983, annual Bangor area compilation tapes were released, bringing together a selection of the music made in the area during the previous year. We have already posted 1980's "Overloaded and We're Running" and now we jump somewhat unchronologically to the final tape in the series, which appeared in May 1983. This time, there were 29 tracks, covering a wide spectrum and lasting a full two hours, the release being spread across two C60 cassettes.

Among the tracks featured, all otherwise unreleased, was the first ever recording by the legendary Cut Tunes, the last ever recording by Fay Ray and the only released solo recordings by John Cratchley, Ian McMillan (as 'Manny'), Chris Walker, John Cratchley, Dav Devalle and Alan Holmes. We also get some electro-psych from the original Smiths, who had been operating under that name for a good couple of years before Morrisssey's gang took it on and one-offs from otherwise unheard groups like Armchair Theatre, Jung Again and Legendary Mountaineers.

Brer Fox were the ancestors of The Scapegoats, who can still be heard regularly at the Auckland in Menai Bridge, and Alternative Destinations marked the recorded debut of both Emyr Tomos, who went on to play with the likes of Glassglue, Hungry Dog Brand, Reinheitsgebot, Zombie Noise etc.. and Ann Matthews, who went on to fame and fortune with Fflaps, Ecotgram and Annalogue.

Many of these groups were very short lived, and some of them were even quite good.


Participants:
Jeff Taylor - organ on 7
Roger Hughes - guitar, vocals on 23
Phil Layton - reeds, tapes, effects, drums on 13
Doig Housley - guitar on 18
Chris Ellis - grand piano on 19
Mark Creathorn - drums on 16, guitar, vocals on 21
Tony Travis - bass, vocals on 7
Alex ? - guitar on 25
Rob Parry - guitar on 17
Alan Holmes - organ, violin on 8, bass on 9, guitar, vocals on 22
Dav Devalle - vocals, guitar on 17, 24, synthesiser on 24
Greg MacMillan - sax, vocals on 25
Fran Lock - guitar on 26
Maeyc Hewitt - synthesiser, percussion on 3, guitar, vocals on 14, bass on 10, 13, 14, drums on 23
Peter Elliott - piano on 5
Carl Owen - bass on 29
Emyr Tomos - drums on 18
Colin Dean - bass on 25
Ann Matthews - vocals on 22, sax on 18
John Cratchley - guitar on 6, 12, vocals on 6, 17, bass on 6, 12, 17
Stephen Davies - vocals, synthesiser on 3
Gary Stubbs - vocals, guitar, bass, whistle on 9
Eilian Jones - drums on 29
Ian McMillan - guitar on 11, bass, vocals on 14
Sheila Brook - vocals, guitar on 7
Paul Fletcher - guitar, vocals on 28
Chris ? - violin on 1
Charli Goodall - guitar on 26
Dewi Evans - keyboards on 22, 27, vocals on 22
Scott Saunders - vocals, guitar on 16
Chris Walker - vocals, guitar on 2
Bev Jones - bass on 26
Maria Hycz - vocals on 10
Sean Williams - bass on 18
Paul Hill - bass on 19
Tim McCartney - congas, vocals on 17
Sam Beresford - vocals, percussion on 12
Alun Rhys Jones - vocals on 27
Nicki Dupuy - double bass on 5
Huw Heywood - guitar on 29
Huw Roberts - guitar on 10
Brian Roberts - bass, sax on 1
John Dexter Jones - vocals on 29
Ed Knight - keyboards on 18
Sue Hoy - bass, vocals on 23
Mike Fielding - percussion, vocals on 25
Andy Beaumont - vocals, guitar on 23
Steve Jones vocals, guitar on 1
Mark Thomas - drums on 17,19
Alan Slin -  keyboards on 1
John Lovering - guitar on 7
Robert McCawley - guitar on 12
Dave Evans - keyboards on 26
Jo Laxton - keyboards on 28
Gorwel Owen - synthesiser on 1
Martin Wilson - guitar on 16
Mike Penny - drums on 25
Hayley - vocals on 4, 15, 20
Owen Hughes - drums on 7, 26
Anton Hughes - drums on 1
Mike Sweeney - guitar on 25


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Friday, 31 August 2012

The Blue Halos - This Perfect Poison


It's not certain whether The Blue Halos were ever a live group, and as far as we know, their sole release was this full length vinyl LP that was released on Valentine Days Records back in 1989. The label appears to be the group's own and so the catalogue number of VD2 suggests that there may possibly have been a previous release - possibly a cassette? If anyone is aware of any, please let us know.


The LP was recorded in Gaerwen, Anglesey by Steve Rutter of Tacsi / Red Stripe / A5 fame, and it is thought that the group probably also originated in that area. The fact that they were a duo, playing all the instruments between them suggest that it was most likely a studio project. The group appeared to be quite divorced from any local musical scene of the time, their sleeve notes (see below) showing an almost paranoid over-defensiveness and alienation. Their music too, didn't fit easily with other local groups, veering between almost Syd Barrett-esqe psych and PiL type cathartic rage, taking in 80s synth rhythms and punky thrash along the way. An intriguing release... if anyone can fill in the gaps, please let us know!

Insert and sleeve notes from "This Perfect Poison"

Reverse of insert
The Blue Halos - This Perfect Poison
Vanetines Day Records VD2  (1989)

Colin Ryan - vocals, guitars, keyboards, bass, synth bass, percussion
Derry Wilkinson - drums, synth bass, keyboards, percussion

1  Serenity
2  (end of another)
3  Harry in America
4  Captive
5  Dreemy (Captive dub)
6  Everywhere
7  Minian the Mole
8  K.K.K.
9  Deadbeat Backtrack:
    i) Phone Box
    ii) 852
    iii) B.T.

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Wednesday, 29 August 2012

The Pinecones - Phase One: Summer 1981

The late, great Scott McKenzie
This week's sad news of the death of Scott McKenzie, undisputed king of flower power, inspired us to dig out The Pinecones' definitive 1981 reinterpretation of the great man's 1967 number one hit "San Francisco (Be Sure to Wear Flowers in Your Hair)". In the process, we came across three complete unreleased sessions by the group, featuring their very earliest line-up.

We've featured quite a bit of The Pinecones here at Turquoise Coal, but those of you who are only familiar with their classic period of spiky post-punk belligerence may well be surprised to hear the jangly psych-pop cadences of the earliest incarnation of the group.

For reasons now lost in the mists of time, A Silly Tree parted company with drummer Mark Windows following their gig at Plas Coch on July 14th 1981 and the three remaining members underwent something of a reshuffle as they morphed into The Pinecones. Bass player Maeyc Hewitt moved to drums and the trio recruited classically trained guitarist Martin Parry on bass, who had previously played alongside Mark Windows in Some Noise. After a couple of sessions as a quartet, one of which can be heard here, the group decided to widen the sonic palette by inviting Sarah Holyfield to play Vox Continental organ in the group. Sarah agreed on condition that the group dropped their cover of "San Francisco", a song she hated, from their set.

The group spent much of August holed up at Goetre Uchaf farm in Bangor's Penrhosgarnedd district putting together and polishing a body of original material, punctuated by a couple of covers - Nico's "Chelsea Girls" and Dave Dee, Dozy, Beaky, Mick and Tich's "The Legend of Xanadu". They played their first live performance on September 4th at the Castle Hotel in Bangor, supporting local superstars Fay Ray. Unfortunately, due the positioning of their name on the poster (see below), most of the audience thought they were called Disco & the Pinecones!

Poster for the only live appearance of The Pinecones Mk 1

The gig proved to be too much of a success, and the group were instantly booked to play two major gigs in the area the following month - at the University's main hall and at the annual Ogwen Valley Fair outdoor festival.

Never ones to embrace popularity without a fight, Alan, Maeyc and Maria decided on a plan to shed some of the unwelcome acclaim. For the two upcoming gigs, they decided that no rehearsed songs would be played and, with the help of an on-stage alarm clock, the set would be divided into 3 minute sections, during which the group would spontaneously make up material on the spot. To introduce further instability, they also invited several friends on stage to join in, including the notorious industrial pioneer Lustmord. The plan worked a treat, and not only did the group alienate the audience, but also Martin and Sarah, who promptly left the line-up! Sadly no recordings of this short lived phase exist.

Pineapple Cove, Penrhosgarnedd, Bangor - August 1981

1    Trust  (Hewitt/Holmes/Hycz) 2:37
2
    Feel Free  (Hewitt/Holmes/Hycz) 4:48
3
    Green Car  (Hewitt) 3:13
4
    Untitled  (Hewitt/Holmes/Hycz/Parry) 3:11
5
    Treading on My Toes (original demo)  (Holmes/Hycz) 3:38
6
    Treading on My Toes  (Holmes/Hycz) 3:48
7
    The Legend of Xanadu  (Howard/Blaikley) 3:17
8
    (If You're Going to) San Francisco  (Phillips) 3:35
9
    Nowhere to Run  (Hewitt) 9:56

Goetre Uchaf Farm, Penrhosgarnedd, Bangor - August 1981

10    Green Car  (Hewitt) 2:55
11
    Nowhere to Run  (Hewitt) 8:25
12
    Trust  (Hewitt/Holmes/Hycz) 3:03
13
    Treading on My Toes  (Holmes/Hycz) 3:46
14
    Feel Free  (Hewitt/Holmes/Hycz/Parry) 5:17
15
    Chelsea Girls  (Reed/Morrison) 5:16
16
    Going Round in Circles  (Hewitt/Holmes/Hycz/Parry) 5:11
17
    The Legend of Xanadu  (Howard/Blaikley) 3:15

Goetre Uchaf Farm, Penrhosgarnedd, Bangor - September 1981

18    Green Car  (Hewitt) 3:04
19
    Nowhere to Run  (Hewitt) 9:51
20
    Treading on My Toes  (Holmes/Hycz) 3:42
21
    Feel Free  (Hewitt/Holmes/Hycz/Parry) 5:54
22
    Far Away  (Hewitt/Holmes/Hycz/Parry) 1:10
23
    Green Car  (Hewitt) 3:11
24
    The Legend of Xanadu  (Howard/Blaikley) 3:13
25
    Far Away  (Hewitt/Holmes/Hycz/Parry) 4:29
26
    Chelsea Girls  (Reed/Morrison) 5:43
27
    Playing for Time  (Hewitt/Holmes/Hycz/Parry) 4:42

tracks 1 - 9, 18 - 27

Maria Hycz - vocals
Alan Holmes - guitar, backing vocs
Martin Parry - bass
Maeyc Hewitt - drums

tracks 10 - 17 

Maria Hycz - vocals
Alan Holmes - guitar
Martin Parry - bass
Sarah Holyfield - organ
Maeyc Hewitt - drums


get it here

Tuesday, 21 August 2012

The Alun Rhys Jones Task Force

Alun Rhys Jones' love of nature eventually led to abandoning music in favour of a career in conservation

After several well received gigs as a four piece, Alun Rhys Jones and musical director Wil Jones felt it was time to expand the sonic palette of the Alun Rhys Jones Band. Having been impressed by a recent performance by The Kaseo Kid  (a.k.a. Dewi Evans), they invited Dewi to join the line-up, an invitation he was happy to accept. In addition, it was felt that a horn section might add a little fashionable 1982 colour to the arrangements and so Ann Matthews and Phil Leyton were drafted in from local post-punk funksters Kärnarvøn Kästle. An expanded line-up called for an expanded name, and so The Alun Rhys Jones Band became The Alun Rhys Jones Task Force in a satirical nod to the then recent South Atlantic conflict.

The first appearance by the new line-up took place again at the Glanrafon Pub in Bangor, on 13th August 1982 and once again was recorded. Here it appears, as on the second volume of 20th anniversary CD reissues, augmented by Alun's 1979 Christmas album Christmas with Alun Rhys Jones.

The group was not to last long however, and disbanded shortly afterwards. Wil Jones went on to play with the popular Felinheli combo Y Cynghorwyr in addition to becoming a highly acclaimed artist, while Alun Rhys Jones himself retired from the musical world in favour of a successful career in conservation. The rest of the Task Force went on to play in various incarnations of the mighty Cut Tunes, and indeed many subsequent interesting groups.

Cover of the 20th anniversary CD reissue

The Alun Rhys Jones Task Force
Live at the Glanrafon Pub, 13th August 1982

1 intro / Hawaii Five-0  2:44
2 Worms  3:43
3 Till There Was You  2:02
4 I Could Be a Knight in Shining Armour 3:00
5 One Girl at a Time  3:24
6 Pot of Gold  2:50
7 Woman in White  3:52
8 Eskimo Nell  2:15
9 Wombat  5:48
10 My Only Gal's my Bicy-gal  2:25
11 Cat Song  2:34
12 Chasing Rainbows  3:40
13 Champion the Wonder Horse  3:03

Alun Rhys Jones - vocals
Wil Jones - guitar
Gary Stubbs - bass
Maeyc Hewitt - drums
Dewi Evans - keyboards
Ann Matthews - saxophone, clarinet
Phil Leyton - saxophone

bonus tracks:
Christmas with Alun Rhys Jones (1979)

14 I Didn't Know I Loved You (Till I Saw You Rock 'n' Roll)  2:38
15 Silent Night  3:21
16 Johnny B Goode  2:18
17 Eskimo Nell  2:11
18 White Christmas  2:00
19 O Come All Ye Faithful  3:12
20 I could be a Knight in Shining Armour  2:13
21 Ding Dong Merrily On High  1:52
22 Auld Lang Syne  1:45

Alun Rhys Jones - vocals
Wil Jones - guitar
Celyn Davies - bass
Maeyc Hewitt - drums
Alan Holmes - trumpet


get it here

The Alun Rhys Jones Band

The Alun Rhys Jones Band live at Plas Coch, Llanedwen 30th September 1981. 



Felinheli based songsmith Alun Rhys Jones was a legendary figure on the north Wales scene during the late seventies and early eighties. Playing his first gig in July 1978 at Bangor's long demolished Castle Hotel as support to Mike Haslam, Alun would regularly spellbind audiences with his smooth croon and eerily realistic animal impersonations over the next four years.

The Alun Rhys Jones Band went through many changes during its lifetime, the one constant being guitarist and musical director Wil Jones. Wil would recruit the finest of the scene's contemporary players to provide the most sympathetic backing for Alun's catchy and idiosyncratic originals and sprinkling of carefully selected covers.

Alun Rhys Jones


By the time the group played at the Glanrafon Pub in Bangor on January 8th 1982, the original rhythm section of Celyn Davies and Neil Coleclough had left the area and was replaced by The Pinecones' rhythm section - Gary Stubbs on bass and Maeyc Hewitt on drums. Unlike concerts by the previous line-up, of which only photographic evidence remains (see above), the Glanrafon performance was captured in hi-fidelity sound for posterity and released as a limited edition cassette entitled, for reasons lost in the depths of time, Whistle Me Bimbo. We were unable to locate a scan of the original sleeve which featured artwork by Wil Jones and so feature instead the 20th anniversary CD reissue, which augmented the live set with some of Alun's earliest demos, including an ultra-rare recording of his very first composition Folk Song.

Cover of the 20th anniversary reissue of Whistle Me Bimbo



Whistle Me Bimbo: 
The Alun Rhys Jones Band live at the Glanrafon Pub Bangor
8th January 1982

1 Pot of Gold  3:32
2 Eskimo Nell  2:22
3 Till There Was You  2:13
4 Hard Headed Woman  2:06
5 I Could Be a Knight in Shining Armour  3:31
6 Wars on 45  5:02
7 Daydreamer  2:06
8 Rock & Roll Music  2:34
9 My Only Gal's My Bicy-gal  1:35
10 Do Ya Wanna Touch Me?  2:38
11 The Woman in White  2:22
12 Champion the Wonder Horse  2:33
13 Till There Was You (encore)  1:53

Alun Rhys Jones - vocals
Wil Jones - guitar / backing vocals
Gary Stubbs - bass / backing vocals
Maeyc Hewitt - drums

bonus tracks:
14 Folk Song  3:29 
15 Johnny B Goode  2:17
16 Get Back  3:01
17 Hearts and Flowers  2:11

recorded Pineapple Cove Studios, Penrhosgarnedd, various times 1977-1981
Alun Rhys Jones - vocals
Wil Jones - guitar / organ
Celyn Davies - bass / organ
(probable line-up)

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Terry Waite ar Asid



Terry Waite ar Asid existed around the Mold / Ruthin area between 1988 and 1990. They appeared on a split flexi-disc with Ffa Coffi Pawb, contributing the song Chicken Jane and also released this 5-track cassette EP in their own right.  

Their irreverent, ramshackle and confrontational approach was a welcome antidote to a Welsh scene that was becoming ever more focussed on polite TV and radio appearances, something the group's material virtually ruled out, although they did make a memorable appearance on the S4C show Y Bocs (see below). 

The high point of their career probably came on February 25th 1989, when they supported My Bloody Valentine at Olivers, Chester. Such a high profile was not to last however, and following a gig in Bangor Football club with Fflaps on 20th January 1990, they split, promising to reform for a one off performance on the day that Terry Waite was eventually freed. This was never to happen though, the group citing their mental state at the time, claiming not to be allowed out of Denbigh Mental Hospital to fulfill their promise. A recent statement claimed that some of them have since recovered and are still considering a reunion.

As can be seen from the scan above, the cover of the EP doesn't give much away as to the contents - no track listing, group line-up, or even the band name! A little research and memory jogging turns up the following names of band members, although three of them seem to be drummers, so probably not all members simultaneously!

Llŷr Ifans, Paul O'Brien, Bonz, Gwion Llwyd, Al Edwards, Iwan Griffiths

Singer Llŷr Ifans (sometimes Evans) went on to a successful acting career, co-starring with his brother Rhys Ifans in the hugely successful Twin Town, as well as appearing in Very Annie Mary and an episode of The Bill. Gwion Llwyd went on to form cutting edge electronic group Mescalero with Gwern ap Tudur and Douglas Jones of the legendary Crisialau Plastic and is now a respected sound engineer. Al Edwards went on to drum for two of the most acclaimed Welsh groups of all time, Datblygu and Gorky's Zygotic Mynci amongst many others. Not sure about the others, but they're doubtless also doing great stuff... if you know, let us know too!

Likewise with the track titles... the three songs on side A seem OK, but not sure about the other titles, although track 4 is based on Kraftwerk's The Model musically, if not lyrically. We seem to remember the group having a song charmingly titled Alun Llwyd (Wancar) but don't think it's one of these... all help is welcome!


Terry Waite ar Asid - EP 1988

1  Caron Keating  4:37
2  Merched mewn Pinc  2:25
3  Terry Waite Ble Wyt Ti?  3:16
4  ? (The Model)  4:19
5  ? 3:18

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