Saturday 31 March 2012

Hen Wlad Y Lladd-Dai

Geraint Jarman a'r Cynganeddwyr's 1979 LP Hen Wlad Fy Nhadau (Old Land of My Fathers) is widely considered one of the milestones in the development of contemporary Welsh language rock music. In 1990, the Ankst label decided to pay tribute to the record by commissioning several Welsh acts of the day to reinterpret the songs for a similarly titled tribute album. What we have here is not that album...

Rival record label Central Slate saw the proposed line-up for the tribute album and despite the presence of the excellent likes of Datblygu and Llwybr Llaethog, deemed the selection to be too safe and predictable. Spurred on by a suggestion from Geraint Jarman himself, the label decided to release their own version of the album and sought out eleven far more underground groups to interpret the songs. None of the acts were widely known at the time and in fact only Rheinallt H. Rowlands went on to greater things afterwards (this being his first ever appearance), but the versions on Hen Wlad Y Lladd-Dai (Old Land of Cemeteries) proved to be far wider ranging and far less reverent than those that appeared on the Ankst compilation. In an extra mischievous coup, Central Slate actually managed to release their version a few days before Ankst!

While the acts on the rival release largely stuck to Jarman's original rock/reggae approach, the acts here take far greater liberties with the songs, displaying the inherent ability of classic songs to allow for endless reinterpretation. From Rheinallt H. Rowlands' Scott Walker styled orchestrated epic to Symffonia Waunfawr's Portsmouth Symphonia tribute via Mudiad Moes' infectious synthpop and Y Crwban Glas' Madchester groove, the songs take on a new life and became utterly contemporary in 1990's music landscape. Czech born Welsh learner Emyr Jirásek clearly displays the regard in which The Velvet Underground were held back in his homeland and Ffilbi, Burjess, Maclein a Blynt bring a pummelling industrial groove to 'Steddfod yn y Ddinas. Here then is a lost classic that showcases the range of truly underground talent that existed at the very peak of the Welsh language music scene.

Various Artists - Hen Wlad Y Lladd-Dai (1990)

1 Rheinallt H Rowlands - Ethiopia Newydd
2 Siani Rhuban a'r Tri Gwr Drwg - Methu Dal y Pwysa'
3 Y Dyfrgwn - "Instant Pundits"
4 Topiau Tanc - Sgip ar Dân
5 Y Crwban Glas - O Lisa
6 Mudiad Moes - Merch Ty Cyngor
7 Mam ar Dân - Disgwyl y Barbariaid
8 Seraffin - Paradwys Ffwl
9 Emyr Jirásek a'r Lliwiau - Un Cam Ymlaen
10 Ffilbi, Burjess, Maclein a Blynt - 'Steddfod yn y Ddinas
11 Symffonia Waunfawr - Hew Wlad Fy Nhadau

get it here


  1. No operative download link on this one as far as I can see :(

  2. I love this blog. I was a teenager in north Wales in the 90's, but as neither myself or my mates had older sibblings to 'guide us' we existed in what we thought wasa musical wasteground. Faced with a choice between Sobin a'r Smaeliaid or Metalica, I nearly turned my back at Welsh language music for ever.
    Although frustrating to now find out that all this scnee was taking place under my nose and me misisng it, it's great to be getting in touch with my musical heritage!

  3. Oh yeah, the whole reason I was going to post -

    Hen Wlad Y Lladd-Dai (Old Land of Cemeteries)

    Lladd-dy is abottoir, so I'd have guessed that 'Lladd-Dai' is a play on words of abbotoirs and 'Killing Dai'

  4. Rhys, you should have been listening to Nia Melville on Radio Cymru! All of this kind of stuff was on her show. The rest, you had to seek out in obscure fanzines. Of course, in their wisdom Radio Cymru cancelled her show in '95 with little objection. These days RC are making more unpopular changes and of course it's easy to start a 'Twitter campaign'. There are lots of good Welsh bands around now, but not many can interest me in the same way as these weird and obscure underground bands did.

  5. Indeed... Nia Melville was in her own way as important a catalyst as John Peel - possibly more so, as we in Wales had no other channels to hear this stuff.
    Her axing by Radio Cymru in 1995 was probably the greatest crime against Welsh culture since the Welsh Not.